Charge and Counter-Charge: Coherence and Incoherence in...

Charge and Counter-Charge: Coherence and Incoherence in Gance's "Napoléon"

Richard Abel
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Volume:
35
Language:
english
Journal:
Film Quarterly
DOI:
10.2307/1211922
Date:
January, 1982
File:
PDF, 878 KB
english, 1982
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