Concerts and the Public Sphere in Civil Society Through...

International Review of the Aesthetics and Sociology of Music 2013 / 06 Vol. 44; Iss. 1

Concerts and the Public Sphere in Civil Society Through Rethinking Habermas's Concept of Representative Publicness

Naomi Miyamoto
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Volume:
44
Language:
english
Journal:
International Review of the Aesthetics and Sociology of Music
DOI:
10.2307/41955493
Date:
June, 2013
File:
PDF, 1.51 MB
english, 2013
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