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Spectator strategies, satire and European identity in the cinema of Roy Andersson via the paintings of Pieter Bruegel the Elder
Mildren, ChristopherVolume:
10
Language:
english
Journal:
Studies in European Cinema
DOI:
10.1386/seci.10.2-3.147_1
Date:
September, 2013
File:
PDF, 302 KB
english, 2013