Rhetorical Personification of the Dead in 17th-Century German Funeral Music: Heinrich Schütz's Musikalische Exequien (1636) and Three Works by Michael Wiedemann (1693)
Gregory S. JohnstonVolume:
9
Language:
english
Journal:
The Journal of Musicology
DOI:
10.2307/763552
Date:
January, 1991
File:
PDF, 1.03 MB
english, 1991