On gender in new music interface technology I would like to thank Tomie Hahn for reprints, friendly exchanges and pointers to literature. I would also like to thank Stacey Langwick who provided early pointers to literature on gender studies in engineering, which helped shape my thinking on the topic of this paper. Many thanks also go to two anonymous reviewers and the editors whose detailed input was invaluable for greatly improving the manuscript. I also appreciate the encouragement of Paul Fishwick.