Oils, Psalms, and Scum: Anadyomene Paint and the Limits of...

Modern Philology 2014 / 05 Vol. 111; Iss. 4

Oils, Psalms, and Scum: Anadyomene Paint and the Limits of Ekphrasis in Paul Celan’s “ Einkanter : Rembrandt”

Connolly, Thomas C.
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Volume:
111
Language:
english
Journal:
Modern Philology
DOI:
10.1086/675405
Date:
May, 2014
File:
PDF, 164 KB
english, 2014
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