Volume 52; Issue 1

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Theatre Survey
Volume 52; Issue 1

Theatre Survey

Volume 52; Issue 1

1

National Myth and Imperial Fantasy: Representations of Britishness on the Early Eighteenth-Century Stage. By Louise H. Marshall. New York: Palgrave Macmillan, 2008; pp. 223. $85 cloth.

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Year:

2011

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english

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PDF, 222 KB

english, 2011

2

INHERITING THE WIND: A PERSONAL VIEW OF THE CURRENT CRISIS IN THEATRE HIGHER EDUCATION IN NEW YORK

Carlson, Marvin

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2011

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english

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PDF, 54 KB

english, 2011

3

THE MEDIEVAL ARCHIVE AND THE HISTORY OF THEATRE: ASSESSING THE WRITTEN AND UNWRITTEN EVIDENCE FOR PREMODERN PERFORMANCE

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2011

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english

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PDF, 712 KB

english, 2011

4

Violence Performed: Local Roots and Global Routes of Conflict. Edited by Patrick Anderson and Jisha Menon: Basingstoke: Palgrave Macmillan, 2009; pp. 391. $85 cloth.Performance in Place of War. By James Thompson, Jenny Hughes, and Michael Balfour. Calcutta and London: Seagull Books, 2009; pp. xii+352. $29 cloth.

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2011

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english

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PDF, 44 KB

english, 2011

5

TSY volume 52 issue 1 Cover and Back matter

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2011

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english

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PDF, 670 KB

english, 2011

6

LIST OF BOOKS RECEIVED AS OF 1 NOVEMBER 2010

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2011

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english

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PDF, 54 KB

english, 2011

7

Reframing Screen Performance. By Cynthia Baron and Sharon Marie Carnicke. Ann Arbor: University of Michigan Press, 2008; pp. viii+304, 49 illus. $75 cloth, $26.95 paper.Stagestruck Filmmaker: D. W. Griffith and the American Theatre. By David Mayer. Iowa City: University of Iowa Press, 2009; pp. xiv+314, 31 illus. $49.95 cloth, $29.95 e-book.

Pellegrini, David

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Year:

2011

Language:

english

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PDF, 50 KB

english, 2011

8

Deleuze and Performance. Edited by Laura Cull. Deleuze Connection Series. Edinburgh: Edinburgh University Press, 2009; pp. vi 282. $115 cloth, $37.50 paper.

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2011

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english

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PDF, 47 KB

english, 2011

9

Violence against Women in Early Modern Performance: Invisible Acts. By Kim Solga. London and New York: Palgrave Macmillan, 2009; pp. 248. $85 cloth.

Britland, Karen

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2011

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english

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PDF, 44 KB

english, 2011

10

Furious Improvisation: How the WPA and a Cast of Thousands Made High Art out of Desperate Times. By Susan Quinn. New York: Walker & Co., 2008; pp. 288. $25.99 cloth, $16 paper.

Vigue, Chanelle

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2011

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english

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PDF, 42 KB

english, 2011

11

SPECTACLE, PERFORMANCE, THEATRE: THE 2010 STUDENT STRIKE AT THE UNIVERSITY OF PUERTO RICO

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2011

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english

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PDF, 708 KB

english, 2011

12

Staging Pain, 1580–1800: Violence and Trauma in British Theater. Edited by James Robert Allard and Mathew R. Martin. Farnham, Surrey, UK, and Burlington, VT: Ashgate, 2009; pp. xxi+220. $99.95 cloth.

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Year:

2011

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english

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PDF, 47 KB

english, 2011

13

A HORSE'S HUSBAND: DAVID GREENSPAN'S QUEER TEMPORALITIES AND THE POLITICS OF SAME-SEX MARRIAGE

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2011

Language:

english

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PDF, 177 KB

english, 2011

14

WILLIAM GLADSTONE AND THE THEATRE

Heinrich, Anselm

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2011

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english

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PDF, 122 KB

english, 2011

15

The Sound of Theatre: From the Ancient Greeks to the Modern Digital Age. By David Collison. Eastbourne, UK: PLASA Limited, 2008; pp. 280. $49.99 cloth.

Phillips, James

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Year:

2011

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english

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PDF, 46 KB

english, 2011

16

On the Uses of the Fantastic in Modern Theatre: Cocteau, Oedipus, and the Monster. By Irene Eynat-Confino. Palgrave Studies in Theatre and Performance History. New York: Palgrave Macmillan, 2008; pp. 198. $85 cloth.

Willcoxon, Jeanne

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2011

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english

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PDF, 46 KB

english, 2011

17

Babylon Girls: Black Women Performing and the Shaping of the Modern. By Jayna Brown. Durham, NC and London: Duke University Press, 2008; pp. 360. $89.95 cloth, $24.95 paper.The Scene of Harlem Cabaret: Race, Sexuality, Performance. By Shane Vogel. Chicago and London: University of Chicago Press, 2009; pp. 278. $60 cloth, $22 paper.

Richards, Sandra L.

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2011

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english

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PDF, 53 KB

english, 2011

18

Slavery and Sentiment on the American Stage, 1787–1861: Lifting the Veil of Black. By Heather S. Nathans. New York: Cambridge University Press, 2009; pp. x+275, 9 illustrations. $98 cloth.

Londré, Felicia Hardison

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Year:

2011

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english

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PDF, 45 KB

english, 2011

19

Women Writers of the Provincetown Players: A Collection of Short Works. Edited by Judith E. Barlow. Albany: State University of New York Press, 2009; pp. 361. $75 cloth, $29.95 paper.From Winning the Vote to Directing on Broadway: The Emergence of Women on the New York Stage, 1880–1927. By Pamela Cobrin. Newark: University of Delaware Press (Cranbury, NJ: AUP), 2009; pp. 243. $54.50 cloth.

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2011

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english

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PDF, 47 KB

english, 2011

20

POWER WORKING THROUGH/ON BODIES IN THE UNITED KINGDOM

Reinelt, Janelle

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2011

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english

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PDF, 52 KB

english, 2011

21

TSY volume 52 issue 1 Cover and Front matter

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2011

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english

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PDF, 214 KB

english, 2011

22

FROM THE EDITOR

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2011

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english

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PDF, 48 KB

english, 2011

23

“FOR WITHOUT VANITY, I'M BETTER KNOWN”: RESTORATION ACTORS AND METATHEATRE ON THE LONDON STAGE

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2011

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english

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PDF, 132 KB

english, 2011

24

THE GREATER GOOD

Cappelli, M. G. Renu, Dolan, Jill

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2011

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english

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PDF, 65 KB

english, 2011

25

CRISIS IN CALIFORLORNIA: CREATIVE PROTEST AT THE UNIVERSITY OF CALIFORNIA

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2011

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english

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PDF, 476 KB

english, 2011

26

POSTERS OF THE GERMAN DEMOCRATIC REPUBLIC AT GEORGE MASON UNIVERSITY LIBRARIES

Shutt, Lauren, Tennant, Sean

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2011

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english

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PDF, 258 KB

english, 2011

27

WHAT ARE YOU READING?

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2011

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english

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PDF, 38 KB

english, 2011

28

Speaking of the Moor: From “Alcazar” to “Othello.” By Emily C. Bartels. Philadelphia: University of Pennsylvania Press, 2008; pp. viii+252. $55 cloth, $22.50 paper.Barbarous Play: Race on the English Renaissance Stage. By Lara Bovilsky. Minneapolis: University of Minnesota Press, 2008; pp. x+218. $22.50 paper.

Malieckal, Bindu

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Year:

2011

Language:

english

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PDF, 47 KB

english, 2011

29

Native Shakespeares: Indigenous Appropriations on a Global Stage. Edited by Craig Dionne and Parmita Kapadia. Aldershot, Hampstead and Burlington, VT: Ashgate, 2008; pp. 247. $114.95 cloth.The Shakespearean International Yearbook, vol. 9: Special section, South African Shakespeare in the Twentieth Century. Special guest ed., Laurence Wright; gen. eds., Graham Bradshaw and Tom Bishop. Farnham, Surrey, UK and Burlington, VT: Ashgate, 2009; pp. 301. $114.95 cloth.Chinese Shakespeares: Two Centuries of Cultural Exchange. By Alexander C. Y. Huang. New York: Columbia University Press, 2009; pp. 350. $84.50 cloth, $26.50 paper.

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Year:

2011

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english

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PDF, 61 KB

english, 2011

30

Gothic Plays and American Society, 1794–1830. By M. Susan Anthony. Jefferson, NC: McFarland, 2008; pp. 203. $39.95 paper.

Stratford, Aoise

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Year:

2011

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english

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PDF, 46 KB

english, 2011

31

Broadway and Corporate Capitalism: The Rise of the Professional-Managerial Class, 1900–1920. By Michael Schwartz. New York: Palgrave Macmillan, 2009; pp. 220. $90 cloth.

Schweitzer, Marlis

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Year:

2011

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english

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PDF, 43 KB

english, 2011

32

”Theatre Arts” on Acting. Edited by Laurence Senelick. Routledge Theatre Classics. London and New York: Routledge, 2008; pp. 552. $120 cloth, $36.95 paper.

Larlham, Daniel

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2011

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english

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PDF, 39 KB

english, 2011

33

EDITOR'S PREFACE

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2011

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english

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PDF, 23 KB

english, 2011

To build up a library is to create a life. It’s never just a random collection of books.

— Carlos María Domínguez

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